The former casting workshop had stood on campus for over forty years. The historic pink brick partitions, the mottled rust device, the crane beams covered in green, and the chimney amongst them…. All of those are evoking the private reminiscences. When we walk through this these days, we’d be thrilled to realize a space photograph that we’ve never skilled in. Obviously, if humans plan to ensure enhanced life in the building, this unique space ought to be replaced through a specific characteristic. Thus, the reconstruction paintings become a causal deliberating space and characteristic and its creating manner of the interactive adaptation.
The first thing that architects need to do is to consider an appropriate positioning of the workshop’s new existence with the university, whether or not it ought to be derived from the passive behavior of the confined reconstruction or the energetic considering the ‘inexperienced’ idea. Besides, architects must tailor proper and precise functions for each area where people could have unique studies. In other words, the design system of the reconstruction no longer only creates a place for a certain feature; it regularly identifies present spatial functions and updates new capabilities in guiding or inducing. Therefore, the start line of the general reconstruction comes from a flat approach: identity.
From the campus cultural hobby center to the structure building
In the beginning, many reconstruction cases came to our minds, such as the 798 districts in Beijing, No. Eight Bridge in Shanghai, the SOHO District of New York, and the Tate Museum in London. They all have first-rate new capabilities that made mediocre spaces into great ones, which became our direct examples of the initial design. Given this, the preliminary place of the workshop is a campus cultural activity center. The consideration of direction becomes based on the absence of space for humanistic function.
However, we quickly determined that the characteristics of a cultural hobby center could not match the transparency and openness of the workshop well due to the fact the music, sports, arts, and other additives need places in which extraordinary customers do now not intrude with every different. The immoderate separation will violate the unique purpose of ‘inexperienced’ in using the distance. Hence, the design paintings returned to the starting point – searching for a more suitable destination for the workshop.
At that point, schools’ structure became beneath the national schooling assessment, and the professional coaching facilities were pressing to progress. The open area and the clearly exposed structural information of the casting workshop will be adapted to the characteristics of architectural education, which emphasizes communication, enjoyment, and exercise. We immediately realized that it’s miles a natural Architecture Building.
Individual spaces during the workshop additionally have better compatibility: the upper area near the skylight, is a natural artwork school room with the right light; the quiet, lower nook with adequate sunlight might be an analyzing room; the independent workshop within the south has a perfect scale for a lecture hall with super exceptional of sight and sound. The following work became easier, t: studying and experiencing each current space and “checking in” the capabilities of teaching, exhibition, opinions, and experiments in a structure construction spatial openness to functional openness.
The open workshop, with a height greater than ten meters, undoubtedly courses the layout to arrange the functions using an extra open method. Before “checking in”, the layers to obtain more regions should be finished. The layering scheme must be completed on the premise of structural reinforcement and under this precept: by no means block the sight, and actively create an open view with no vertical or horizontal impediment. The transparency of the vision will unavoidably make a go with the flow of light and air, and their trinity drifts similarly strengthen the best of the verbal exchange space and partly realize the unique purpose of ‘green’. In the vertical route, to do away with the sensation of the floor, we integrate the exhibition space with the stairs. The unit-shaped exhibition platform is steadily raised along the steps, organically connecting the peak of each stage and diluting the experience of the ‘layer’.
On the idea of the strategies mentioned above, we then arranged features in line with the characteristics of areas and achieved the “checking in”: the manufacturing line of the casting workshop commenced from the west unusual tall manufacturing unit, in which several massive pyramids hourglasses are hung, and anonymous equipment are fixed on the floor – it’s a wonderful model room with a sturdy feel of sculpture; the turning point of the workshop is darkish, however, the “cupola” provides exact ventilation conditions, so it has become a computer lab; the mezzanine area at the east face has a smaller floor peak and is separated, that’s suitable for office space. When an area has to be divided, besides the brick wall in intense conditions, we use obvious glass, unmarried-layered U Profiled Glass, double-layered U Profiled Glass, or filmed U Profiled Glass in step with the diploma of necessary closure.